Compare the role of voice-over narration in any two (or three) films Essay - 1

Comp atomic number 18 the role of voice-over floor in any two (or three) films screened in this course (Dr Strangelove, A Clockwork Orange - Essay Examplesuch(prenominal) a film device is not in any way new or inventive. It is a story-telling technique that is used by different directors to elaborate a fleck, based on the needs of the plot and the messages they wish to convey to the audience. As such, this brief analysis will track and consider the ways in which directors of three distinct filmsDr Strangelove (1964), A.I. Artificial Intelligence (2001), and The Big Lebowski (1998)employ this technique. Through such an analysis, the author hopes to get around the different nuanced levels of meaning that the individual directors hope to invoke through story-telling techniques such as the voice-over narrative. Kubrick himself, when discussing how he would miss and direct a satire on the lunacy of the Cold struggle, noted that it should be presented to the audience in a form of dark humour. In this way, it could more readily convey the levels of truth and the different meanings that are portrayed (Bilandzic & Buselle, 2011, p. 30). As a means to accomplish this end, Kubrick employed many techniques that sought to mirror members of honest life that the audience would readily be able to identify with and would appreciate. Of course one of the most properly mechanisms that he employed was presenting news-like stories to the viewer in a matter of fact way regardless of how suddenly insane they might be in content. Kubrick advertise sought to provide a type of social commentary that housed the work in a convenient yet detached framework. Rather than allowing the individual characters to jut out out, ultimately diminishing the message that Kubrick was attempting to communicate, the director regarded central omniscient or seemingly omniscient fabricator as a better mechanism. Thus, the director was able to present a serious and gripping dependent matter in a satirical way from a detached standpoint. The detached standpoint itself is further compounded by the proceeding of the monotone voice of the voice-over narration, impressing upon the viewer an influential point of view. The overall effect that the director was attempting to incorporate into the film was precisely this it was only necessary to add elements of realism into a book that was already tinged by elements of absurdity since the satire engaged the viewer with the preposterous nature of the Cold War and Mutually Assured Destruction (MAD) (Kirshner 2001, p. 40). In this way, the voice-over narration provided the necessary ethos that Kubrick required to accomplish a soul of realism and authority. Iguarta (2009, p. 58) offers a comprehensive insight regarding Dr Strangelove (1964), particularly from the perspective of using the voice-over technique Voice-over narration in Kubricks films evolves from an element that shows the mastery of the text by itself and an element of co herence that assures the perfect fitting of each element in the first films. They also show a more detached, ironic relationship of narrator to the text, which hints at the growing feeling in the later films that reality cannot be controlled and that the text is unable to present it to us in a clear, reassuring way. This passage seems marked by the absence of voice-over narration in 2001, a reference to the organizing, clarifying function it had fulfilled in